Liv og Tid af Nicolaus Notabene
LIV OG TID AF NICOLAUS NOTABENE
Et biographisk Companion til Kierkegaard–Notabene-Udgaven
Volume IX
Life and Time of Nicolaus Notabene
A Biographical Companion to the Kierkegaard–Notabene Edition
edited by MADS FEDDER HENRIKSEN
with the reprinted essay
Notabenes sene Tavshed / Notabene's Late Silence
by ASGER VIBSKOV
(from Kierkegaardiana vol. III, 1962)
KJØBENHAVN · WROOT PRESS · 2026
Editor's Note
The eight volumes preceding the present one have undertaken the critical re-edition of Notabene's published authorship of 1844–47. The present volume departs from that programme in three respects: it contains no work by Notabene; it stands outside the editorial fiction by which the eight earlier volumes (and indeed the original Forord of 1844 under Notabene's name) sustain themselves; and it is the only volume of the set for which the present editor has solicited a substantial contribution from a hand other than his own.
The volume is a biographical and documentary companion, intended to supply the reader of the phantom-volume corpus with such circumstantial materials as bear upon its understanding. The materials assembled here are of four kinds.
First, a chronology of Notabene's life, drawn from the surviving parish registers of the parishes of Vor Frue (Copenhagen), Frederiksværk, and Frederiksborg, supplemented by the Reitzel-arkivet correspondence and by the small body of personal papers preserved in the Notabene-arkivet (Kgl. Bibl., NKS 4° 3204). The chronology is, in its principal features, no longer in dispute; the standard biography by Asger Vibskov (1958) remains the foundation of modern scholarship, and the present chronology departs from Vibskov's only in such particulars as the 2019 discovery of the Reitzel-attic materials has occasioned.
Second, a dramatis personae — the small circle of persons whose lives bear materially on Notabene's. The longest entry concerns Notabene's wife, who is identified throughout the present companion only as N. N.'s Hustru (his wife), in conformity with the practice of all the contemporary documents which mention her (including the Skilsmissebrev reproduced in § IV). The reasons for this practice — and the disputed scholarly question whether her anonymity is a deliberate biographical condition or merely an accident of documentary loss — are discussed in the entry itself.
Third, a set of documentary reproductions: the Skilsmissebrev of August 1846 (witness in the Sagaktiv of the parish of Vor Frelser), with the present editor's English translation; the surviving fragment of the burnt Indlednings-Paragrapher of spring 1843, reconstructed from the singed leaves preserved among the Notabene-arkivet materials; and a Bibliography of Works Forbidden — that is, of the manuscripts Notabene attempted, between 1832 and 1843, before the Forord compromise was reached, all of which were either confiscated, destroyed, or abandoned in draft.
Fourth, a selection of Notabene's correspondence with C. A. Reitzel, 1844–47, in which the principal documentary record of the eight phantom volumes' production is contained.
The volume closes with the present editor's most important departure from his own practice. The essay Notabenes sene Tavshed by Asger Vibskov, first published in Kierkegaardiana vol. III (1962), pp. 88–112, is reprinted as the volume's concluding chapter. Vibskov (b. 1918, d. 2007) was, of the twentieth-century Notabene scholars, the one whose work most directly bears on the questions of authorship, motive, and biographical context which the eight phantom volumes leave open. His 1962 essay has remained, for sixty years, the principal modern statement of the problem of Notabene's late silence — that is, of the question why, after the publication of Smaastykker in February 1847, Notabene wrote nothing further during the remaining eleven years of his life. The essay is reproduced here by kind permission of Kierkegaardiana and of the Vibskov estate, with only such silent corrections of typography as the Forskningscentret's Editorial Principles (2018) require.
The present editor has not attempted to bring Vibskov's essay into agreement with the conclusions of the apparatus of the eight phantom volumes. Where the two diverge, the divergences are documented in the apparatus to the essay; the reader is asked to weigh them on the evidence rather than on editorial authority. Vibskov wrote in 1962 with materials substantially less complete than those now available, but his judgement of the matters that the materials do permit one to judge has, in the present editor's view, not been substantially superseded.
A final editorial remark. The reader who has come to the present volume from the eight that precede it will find that the materials assembled here corroborate, in their broad outlines, what the phantom volumes themselves indicate about their author's circumstances; and that the materials add, to those circumstances, certain particulars (the wife's reading-society engagements; the brother-in-law's role in the divorce proceedings; the aunt's death and her bequest of the Frederiksværk library to Notabene in 1846) which the phantom volumes pass over in silence. The companion is intended to supply such particulars without claiming for them an interpretive priority over the literary works themselves. Notabene the author and Notabene the man are continuous, but they are not, in the present editor's view, the same; the man's biography may inform the reading of the author, but it cannot, on its own, constitute the reading. The reader is asked to bear this in mind in turning the pages that follow.
— M. F. H. Forskningscentret, December 2024
I. CHRONOLOGI / CHRONOLOGY
1805, 14 April. Born in the parish of Frederiksborg-Slot, Nordsjælland, the second son of Kammerraad Hans Christian Bentzon (1768–1834), a minor civil servant in the chancellery, and Frue Marie Bentzon, née Vibe (1774–1838). The family was of the modest gentry: ancestral lands in the Frederiksværk district of approximately fifty tønder hartkorn, supplying a modest annual income; a townhouse in Bredgade (Copenhagen) of which the family occupied two stories and let the third. The infant was given the names Nicolaus Christian Bentzon. The surname Notabene is, in the present editor's view, certainly a chosen literary name, adopted no later than 1832 and probably as early as 1828 (the year of the cand. theol. examination, on which see below); the question of its precise adoption-date is treated in Vibskov (1958, ch. 1).
1814–1822. Schooled at the Borgerdydskolen in Copenhagen, where he was a contemporary of, among others, Søren Kierkegaard's elder brother Peter Christian Kierkegaard (1805–1888). The Borgerdyd records (Kgl. Bibl., Borgerdydskolens Arkiv, Akter 1818–22) preserve his examination results, which are uniformly creditable without being remarkable; he distinguished himself principally in Greek and in Latin composition.
1822–1828. Studied theology at the University of Copenhagen. He passed the Embedseksamen (cand. theol.) on 6 July 1828 with the grade Haud illaudabilis, in a cohort which included two later bishops and four authors of subsequent note. The University records (Universitetsarkiv, Theologisk Fakultet, Eksamensprotokol 1828) indicate that his examination disputation concerned the relation of natural theology to revealed; the manuscript of the disputation has not been traced.
1828, August. Was, by all indications, expected by his family to seek ordination and accept a parish call. He did not. His reasons for declining to seek ordination have been the subject of speculation; the present editor finds nothing in the surviving correspondence that bears decisively on the question. He returned to the Frederiksværk estate, where he lived on the rents from his late father's properties, and devoted himself to literary projects of which the Bibliography of Works Forbidden (§ V below) supplies what record survives.
1829, autumn. First engagement — to a Frøken whose name is recorded only as Frøken H. in his diary (the diary is fragmentary, preserved in the Notabene-arkivet as NKS 4° 3204, fasc. 1, only one quire surviving). The engagement was dissolved by mutual consent in December 1829 on grounds the diary does not specify.
1830, March. Second engagement, to the woman who became his wife. The diary records the engagement and the wife's name with the formula min Forlovede, hvis Navn jeg af ydre Hensyn ikke nedskriver her ("my fiancée, whose name I do not for outward reasons record here"). The wife's name does not appear, in any document available to the present editor, in any source: not in the marriage register, where the bride's name is recorded only by her father's surname and a blank; not in the parish records of subsequent residence, where she appears only as Hustruen (the wife); not in the Skilsmissebrev of 1846, in which she is the unnamed Sagsøgerinden (the plaintiff). The scholarly literature has been unable to identify her by any conventional historical means; the question of her anonymity is treated at length in the dramatis personae entry below (§ III) and in Vibskov (1958, ch. 4).
1830, 24 June. Marriage in the parish of Vor Frue, Copenhagen. The marriage register (Kbhvn., Vor Frue Sogn, Ægteskabsprotokol 1830, no. 73) records the date and Notabene's name in full; the bride is recorded only as "Datteren af afdøde Cand. Jur. F——, Frederiksberg" (the daughter of the late Cand. Jur. F——, Frederiksberg). The blank in the surname is unique in the protocol for the year 1830 and has occasioned considerable scholarly speculation. The most probable explanation, advanced by Vibskov (1958, p. 47), is that the protocol-clerk was instructed by Notabene to leave the surname blank pending the receipt of a certificate of the bride's family which had not arrived by the date of the wedding; the certificate not having been subsequently supplied, the blank was permitted to stand. The hypothesis is consistent with the haste of the marriage (banns having been read only twice rather than the customary three times, by special dispensation of the Bishop's office).
1830–1843. Notabene's wife, immediately upon the marriage, established the prohibition — namely, that Notabene was not, under any circumstances, to publish any book whatsoever. The grounds were, by Notabene's own subsequent account (in the Forord of 1844, opening paragraphs), an experience during the engagement in which she had heard him read aloud from one of his unpublished manuscripts and had found the experience intolerable; she had made his consent to silence a condition of her consent to the marriage. Notabene records, in his diary entry of 24 June 1830 (the wedding day), that "I have agreed to the condition without inquiring into its dimensions, the haste of the season being what it is" (NKS 4° 3204, fasc. 1, fol. 12r). The condition obtained, with such consequences as the Bibliography of Works Forbidden records, for the next thirteen years.
1843, 16 March. The Indlednings-Paragraph episode. Notabene, having drafted what he believed to be the opening paragraphs of a substantial new work (the manuscript now reproduced in fragmentary form as § VI below), brought the manuscript to the parlour at Christianshavn for fair copying. The wife, finding the manuscript, set it on fire with a parlour candle. Notabene's diary entry for the evening of 16 March 1843 (NKS 4° 3204, fasc. 2, fol. 31v) records the event in a single sentence: "I dag er Indledningen brændt." ("Today the Introduction has been burnt.") Three of the burnt leaves were recovered, partially singed, by the maid the following morning and preserved by Notabene without his wife's knowledge; their fragments are reproduced in § VI.
1843, May. Notabene proposes to his wife the compromise that, in the event, made the eight phantom volumes possible: namely, that he would publish prefaces — without the books they prefaced — at intervals of his own choosing, on the supposition that the prohibition extended only to books in the conventional sense and not to prefaces in vacuo. The wife, by Notabene's own account, accepted the compromise "on the supposition that no one writes a preface without writing a book; from which she concluded that the compromise would protect the prohibition rather than dissolve it" (Forord 1844, Til Læseren, § 3).
1843–1844. Drafts the eight prefaces. The drafts were composed, by Notabene's own account, in a room of the country estate at Frederiksværk, which had been bequeathed to him in 1834 on his father's death and to which he retreated for periods of weeks at a time during these years, his wife being told that he had gone for the air.
1844, 17 June. Publication of Forord, indeholdende Prøver til et nyt Tidsskrift under the Notabene pseudonym (the only one of the corpus published under that name during the relevant decade). The volume's eight prefaces prefigure the eight phantom volumes which the Wroot Press 2026 edition reproduces. The Forord itself stands outside the Wroot Press edition's principal series.
1844, 14 December. Publication of Urania. Aarbog for 1845 (Vol. IV of the present edition). The first of the eight phantom volumes — composed during the autumn of 1844 in the same Frederiksværk room.
1845, 8 January. Death of Notabene's aunt, Tante Vibeke Bentzon (1769–1845), at Frederiksværk. Her library — some 2,400 volumes — was bequeathed to Notabene by a will of 1841, of which the relevant codicil is preserved in the Hørsholm Birks-Tinglysningsprotokol for 1845. The library, transferred to the Frederiksværk estate, formed thereafter the principal physical resource of Notabene's writing.
1845, 26 December – 1846, May. Publication of Vols. I, III, V, VI, and VIII of the phantom corpus (see the chronological table in the front-matter of each of those volumes). Notabene during this period divides his time between the Frederiksværk estate (for composition) and the Christianshavn parlour (for residence with his wife).
1846, 14 August. The wife discovers, beneath her tea-saucer at the breakfast table on the morning of 14 August 1846, the Subscription Notice for Vol. II of the Logiske System, which Reitzel had sent under separate cover and which Notabene had not yet had occasion to remove from the breakfast room. The protocol of the subsequent legal proceedings (Sagaktiv, Vor Frelser parish, Skilsmissesag no. 47 of 1846) records the wife's testimony that she had, for some months prior to the discovery, "begyndt at fatte Mistanke om visse Uregelmæssigheder" (begun to entertain suspicions of certain irregularities), but had not, until that morning, possessed material proof. She does not appear to have confronted Notabene on the morning of 14 August; she rose from the breakfast table, went upstairs, packed, and left the house. Notabene's diary entry for 14 August 1846 reads: "Min Kone er gaaet. Jeg veed ikke hvor hen. Klokken er elleve om Formiddagen og Solen skinner som om intet var skeet." ("My wife is gone. I do not know where to. It is eleven o'clock in the morning and the sun shines as if nothing had happened.") The diary entry is reproduced in full in Vibskov (1958, p. 184).
1846, 28 August. The Skilsmissebrev, drafted by the wife's brother Procurator F. Lindahl (her family name and his being thus disclosed only at the legal proceedings, the disclosure being subsequently expunged from the publicly accessible records but preserved in the Sagaktiv), is delivered to Notabene at his Christianshavn address. The text of the Skilsmissebrev is reproduced in § IV below.
1846, September. Notabene's wife joins the Selskab for kvindelig Studie og Lectüre, the Society for Female Study and Reading, founded 1843 in Copenhagen by a small group of unmarried and separated women of the cultivated classes. The Society's records (Kgl. Bibl., Selskabet for kvindelig Studie og Lectüre, Forhandlings-Protocol 1843–1864, NKS 4° 2467) record her admission on 11 September 1846 under the formula Frue N. N. (the second N standing for née, with the surname suppressed at her request). She is recorded thereafter, in the Society's protocols, as a "virksomt Medlem" (active member) and as a participant in two of the Society's reading circles, on subjects which the protocols do not specify.
1846 winter. The divorce is granted, on grounds of vedvarende Utroskab ved Forfatterskab (persistent infidelity by means of authorship; on the legal novelty of the grounds, see Vibskov 1958, ch. 6). Notabene does not contest. The settlement provides that he shall retain the Frederiksværk estate and the Christianshavn lease; the wife shall receive an annuity of 600 Rigsdaler from the estate's rents, payable quarterly through her brother the Procurator.
1847, February. Publication of Philosophiske Smaastykker (Vol. VII of the present edition), Notabene's only signed work and the eighth of the phantom corpus.
1847, March – 1858. Notabene publishes nothing further. He retires to the Frederiksværk estate in the spring of 1847 and lives there, with occasional visits to Copenhagen, for the remaining eleven years of his life. The Notabene-arkivet contains no manuscript material in his hand later than April 1847 of a substantive literary character; what does survive consists of his estate-accounts, his correspondence with Reitzel and with his man of business in Frederiksværk, and one further diary fragment (NKS 4° 3204, fasc. 3) covering the years 1849–1853 in entries of increasing brevity. The question of Notabene's late silence is treated in Vibskov's essay (§ IX below).
1858, 22 November. Notabene dies at the Frederiksværk estate, of an inflammation of the lungs occasioned by an autumn chill. The parish register of Frederiksværk-Sogn records the death and the burial. He was 53 years old. No further heirs being known, the Frederiksværk estate passes to a cousin of the third degree on the Vibe side.
The wife outlived him by some thirty-one years, dying in 1889 at the age of 82, in the apartment on Nørregade where she had taken lodgings in 1846. She remained, throughout her life, an active member of the Selskab for kvindelig Studie og Lectüre, and is named in the Society's Mindetale for 1889 as one of its longest-serving members. The Society's records do not indicate that she ever spoke of, or referred to, her former husband.
II. DRAMATIS PERSONAE
The persons listed below are those whose lives bear materially upon Notabene's. The entries are summary; for biographical detail in any case, the reader is referred to the standard sources, of which Vibskov (1958) supplies the most ample treatment.
Notabene, Nicolaus (Nicolaus Christian Bentzon, 1805–1858). The subject of the present companion. Cand. theol. 1828, never ordained; small landed gentleman of the Frederiksværk district; author of the Forord* (1844) and the eight phantom volumes (1844–47).
Notabene's wife (unnamed in all sources; her family name was Lindahl, on which see below; born ca. 1808, died 1889). The daughter of Cand. Jur. F. Lindahl of Frederiksberg, a minor jurist who died in 1827; orphaned at nineteen, raised thereafter in the household of her elder brother. Married Notabene 24 June 1830; established the prohibition on his authorship at the time of the marriage; left him 14 August 1846; divorced him in the winter of 1846–47 on grounds of authorship-infidelity; joined the Selskab for kvindelig Studie og Lectüre September 1846; outlived Notabene by 31 years. Her anonymity in all surviving documents is unique, in Vibskov's view, in mid-nineteenth-century Copenhagen civil records; he attributes it (1958, ch. 4) to a deliberate condition of the marriage settlement, by which Notabene had agreed, in 1830, to suppress her name from any document over which he had control. The condition, if it existed, did not extend to the protocols of the Selskab, in which she nevertheless continues to be recorded only as Frue N. N. — suggesting, on Vibskov's reading, that the suppression had become, by 1846, her own preference rather than her husband's stipulation.
Procurator F. Lindahl (Frederik Lindahl, 1799–1871), Notabene's brother-in-law. A Copenhagen lawyer of moderate standing, with chambers on Frederiksberggade. Drafted the Skilsmissebrev of 1846 and represented his sister in the divorce proceedings of that autumn and winter. The relations between Lindahl and Notabene during the marriage are not documented; the Sagaktiv of 1846 indicates a measured professional posture rather than personal hostility. After his sister's settlement was concluded, Lindahl appears to have administered her quarterly annuity until his death in 1871. He was, in addition to his legal practice, a member of Reform-Foreningen in the 1840s and a contributor to Fædrelandet.
Tante Vibeke Bentzon (1769–1845), Notabene's paternal aunt. Unmarried; mistress of the Frederiksværk estate from 1820 until her death; principal source of Notabene's literary education in his childhood; her library, bequeathed to Notabene in 1841, was a working scholarly collection of some 2,400 volumes including the standard German speculative literature of the 1810s–1830s, the Greek and Roman classics in the standard Bipontine and Tauchnitz editions, the Danish theological literature of the eighteenth century, and a modest collection of mystical writings (Tauler, Suso, Boehme) which Notabene appears to have consulted with particular interest in the years 1844–47. Vibeke Bentzon's correspondence with her nephew (preserved in the Notabene-arkivet, NKS 4° 3204, fasc. 4) is the single most substantial body of Notabene's surviving letters from the period of the marriage.
C. A. Reitzel (Carl Andreas Reitzel, 1789–1853), publisher. Established his bookselling and publishing firm in 1819; principal publisher of Heiberg, Mynster, Martensen, and the Kierkegaard pseudonyms, as well as of Notabene; conservative in commercial habit and personally cautious in his relations with the authors of the Hovedstad's speculative tendency. His correspondence with Notabene, in selection, forms § VIII below.
Pastor V. C. Brammer (Vilhelm Christian Brammer, 1797–1881), of Trinitatis parish in Copenhagen, was Notabene's parish priest during the years of the Christianshavn residence. The relation between the two does not appear to have been close; Brammer's Dagbøger (preserved at Trinitatis Sognekontor) contain a single reference to Notabene, on the occasion of the wife's departure in August 1846: "Etatsraadens Hustru Notabene har forladt ham. Hun er en stille Kone og dette er, saavidt jeg veed, hendes første utilbørlige Handling." ("Etatsraad Notabene's wife has left him. She is a quiet woman and this is, so far as I know, her first improper action.") The entry's reference to Notabene as Etatsraad is in error; Notabene held no civil rank above Cand. theol., and Brammer was evidently mistaken or imprecise.
The maid (Margarethe Pedersdatter, ca. 1812 – ca. 1880), who served in the Christianshavn household from 1838 to 1846 and recovered the three singed leaves of the burnt Indlednings-Paragrapher on the morning of 17 March 1843. Her recovery of the leaves is the only evidence we possess that the burnt manuscript was, in part, a substantive composition of more than thirty pages. She did not, by Notabene's own account, ever tell her mistress of the recovery. She left the household at the wife's instruction in the autumn of 1846 and is not known to have written to Notabene thereafter; her later movements are not documented.
III. SKILSMISSEBREV
Sagsøgerindens Skilsmissebrev af 28. August 1846
Forwarded by PROCURATOR F. LINDAHL, Frederiksberggade, Kjøbenhavn, on behalf of the Plaintiff, the wife of the addressee, hereby suppressed in her own name as is her custom and as has been her practice throughout the marriage now sought to be dissolved.
Reproduced in the original Danish from Sagaktiv, Vor Frelser Sogn, Skilsmissesag no. 47 of 1846, fol. 4r–6v, with the English translation supplied by the present editor on the facing page.
Til Hr. Cand. theol. N. C. Bentzon, kaldet NICOLAUS NOTABENE, Christianshavn, denne 28de August 1846.
I de fjorten Aar, hvori Sagsøgerinden har været Deres Hustru, har hun, paa Grundlag af det Løfte, De ved Ægteskabets Indgaaelse afgav, oppebaaret med Taalmod en vedvarende Krænkelse, hvis Karakter De vil paa Sagsøgerindens Vegne tillade hendes Broder, Hr. Procurator Lindahl, i Korthed at fremstille.
De forpligtede Dem, ved Ægteskabet i Vor Frue Sogn den 24de Juni 1830, til ikke at lade trykke nogen Bog under noget Navn, hverken eget eller andet, hverken paa egen Bekostning eller for andres Regning, hverken i Kongeriget eller udenfor det, saa længe Sagsøgerinden var Deres Hustru. Sagsøgerinden tog dette Løfte til Indtægt, anseende det for den Beskyttelse af Hjemmets Fred, hvortil hun, som Hustru, var berettiget. Hun maatte i øvrigt udfra Deres Karakter forvente, at De vilde betragte Løftet som et Hjertets Forpligtelse, og ikke alene som en bogstavelig.
I de første tretten Aar af Ægteskabet søgte De, til Trods for Løftet, at frembringe Bøger, hvilke Sagsøgerinden ved adskillige Lejligheder maatte tage i Forvaring eller, i en enkelt sørgelig Anledning, lade fortære i Parlørens Ild. Disse Forsøg, hvor lidet hæderlige de end vare, anerkjender Sagsøgerinden dog for at have været aabne Brud paa Løftet, der bleve indrømmede og forsonede saa godt som Omstændighederne tillod.
Siden Foraaret 1843 har De imidlertid fremført en Form for vedvarende Krænkelse, som ikke kan beskrives uden ved Brug af stærke Udtryk. De har, hævdes det, holdt Dem til Bogstaven af Løftet — De har ikke ladet trykke nogen Bog under eget Navn som dets Forfatter — men De har, under Skikkelse af Forord, Udgaver, Tale, Prædikener, Hefter, Productioner, Smaastykker, og Anden hvad det maatte være, ladet trykke saa mange Sider, at den Skjelnen mellem Forord og Bog, hvorpaa De Deres Krænkelse baserede, har vist sig at være en blot Talegestus af det groveste Slags.
Sagsøgerinden har, i August 1846, ved Tilfældets Hjælp opdaget Beviset for denne vedvarende Krænkelse — i Form af en Subscriptions-Indbydelse paa Andet Bind af et af de Værker, De gjennem flere Aar har frembragt under den Skikkelse, jeg har beskrevet. Hun forstod da, at den Krænkelse, hun i den nys forløbne Tid havde anet, og som hun havde ladet hvile paa et fornuftigt Tvivlsom, var Realitet og af en Omfangsrigdom, hun ikke havde tilstrækkelig Anelse om.
Sagsøgerinden anlægger derfor herved Sag om Ægteskabsskilsmisse paa Grundlag af vedvarende Utroskab ved Forfatterskab, idet hun lader sin Broder, Hr. Procurator Lindahl, paa sine Vegne forfølge Sagen ad rettens Vej til endelig Afslutning. Sagsøgerinden anmoder Dem om ikke at modarbejde Sagens Gang, idet De jo, paa Grundlag af Deres egne Skriverier, til Fulde maa vedkende Dem den Krænkelse, hvorpaa Sagsøgerinden bygger sit Krav.
Sagsøgerinden afslutter med en personlig Bemærkning, som hendes Broder, Hr. Procurator Lindahl, har advaret hende imod at indfløje, men som hun har valgt at vedlægge mod hans Raad: at De, i de fjorten Aar af Deres Forfatterskab som er forløbet siden Sagsøgerinden første Gang advarede Dem mod det, ikke een Gang har gjort hende den Ære at spørge hende, hvorvidt hun ønskede at læse, hvad De havde skrevet.
Sagsøgerinden underskriver ikke, idet hun aldrig har givet sit Navn til at staae i nogen Bog eller paa noget Papir, der senere kunde komme i en Bogs Nærhed. Hendes Broder underskriver for hende, paa hendes Vegne og med hendes Befuldmægtigelse.
Frederik Lindahl, Procurator paa Sagsøgerindens Vegne
English translation, supplied by the present editor.
To Hr. Cand. theol. N. C. Bentzon, called NICOLAUS NOTABENE, Christianshavn, this 28th day of August 1846.
In the fourteen years during which the Plaintiff has been your wife, she has, on the basis of the pledge you gave at the contracting of the marriage, borne with patience a continuous injury, the character of which you will permit her brother, Hr. Procurator Lindahl, to set forth in summary on the Plaintiff's behalf.
You undertook, at the marriage in Vor Frue parish on the 24th day of June 1830, to permit no book to be printed under any name, whether your own or another's, whether at your own expense or for another's account, whether within the Kingdom or outside it, so long as the Plaintiff remained your wife. The Plaintiff accepted this pledge as the protection of domestic peace to which, as a wife, she was entitled. She had, moreover, every right to expect from your character that you would regard the pledge as an obligation of the heart and not merely of the letter.
During the first thirteen years of the marriage, you sought, notwithstanding the pledge, to produce books, which the Plaintiff was required on several occasions to take into safekeeping or, on one unhappy occasion, to consign to the fire of the parlour. These attempts, however unbecoming they were, the Plaintiff nevertheless acknowledges as open breaches of the pledge, which were admitted and reconciled so far as the circumstances permitted.
Since the spring of 1843, however, you have practised a form of continuous injury which cannot be described without recourse to strong expressions. You have, it is maintained, adhered to the letter of the pledge — you have not permitted any book to be printed under your own name as its author — but you have, under the appearance of Prefaces, Editions, Address, Sermons, Issues, Productions, Pieces, and whatever else it may have been, permitted to be printed so many pages that the distinction between a preface and a book on which your injury was based has shown itself to be a mere figure of speech of the grossest sort.
The Plaintiff has, in August 1846, by chance discovered the proof of this continuous injury — in the form of a Subscription Notice for the second volume of one of the works which you have produced over several years under the appearance I have described. She understood then that the injury which she had during the recent period suspected, and which she had permitted to rest on a reasonable doubt, was real, and of an extent of which she had not had sufficient intimation.
The Plaintiff accordingly hereby institutes proceedings for the dissolution of the marriage on the grounds of persistent infidelity by means of authorship, allowing her brother, Hr. Procurator Lindahl, to prosecute the matter on her behalf through the courts to final conclusion. The Plaintiff asks you not to oppose the proceedings, inasmuch as on the basis of your own writings you must fully acknowledge the injury upon which the Plaintiff bases her claim.
The Plaintiff closes with a personal observation, which her brother Hr. Procurator Lindahl has advised her against inserting, but which she has chosen to attach against his advice: that in the fourteen years of your authorship that have elapsed since the Plaintiff first warned you against it, not on a single occasion have you done her the honour of asking her whether she wished to read what you had written.
The Plaintiff does not sign, having never given her name to stand in any book or upon any paper that might subsequently come into the vicinity of a book. Her brother signs for her, on her behalf and with her authorization.
Frederik Lindahl, Procurator on the Plaintiff's behalf
IV. SPECIMEN OF THE BURNT INDLEDNINGS-PARAGRAPHER
of 16 March 1843
The following fragmentary text is reproduced from the three singed leaves of the manuscript recovered, on the morning of 17 March 1843, by the maid Margarethe Pedersdatter and preserved by Notabene in a folder marked, in his own hand, "De brændte Indlednings-Paragrapher, foraaret 1843. Forsigtigt!" ("The burnt Introductory Paragraphs, spring 1843. With care!") The folder is preserved in the Notabene-arkivet, NKS 4° 3204, fasc. 5. Of the three leaves, leaf 1 is the most extensively preserved; leaf 2 is preserved chiefly in its upper third; leaf 3 survives only in fragments. The conjectural pagination is the present editor's; the original manuscript appears to have run to between thirty and thirty-four leaves, of which only these three were recovered. The work of which it formed the introduction has not been identified, although the Bibliography of Works Forbidden (§ V below) supplies a probable identification.
Legible passages are reproduced in roman type. Singed passages, of which only fragments are visible, are reproduced with the visible fragments in their position; the missing matter is indicated by square brackets enclosing ellipses, with the conjectural length of the missing matter indicated only where the leaf-edge permits.
[Leaf 1, recto:]
§ 1. INDLEDNING.
Det er en gammel Erfaring, at det Liv, hvori en Mand finder sig, ikke nødvendigvis er det, han med fri Sjel vilde have valgt sig, men det, [...] omstændigheder, hvorover han kun ringe Magt har, ham have tildelt. Naar imidlertid Manden i sit voksne Liv finder, at hans Stilling i Verden — det være sig som Embedsmand, som Ægtefælle, som Borger, eller som Forfatter — er bleven ham paatvunget af Magter, der ikke have spurgt ham om hans Mening, da er det hans Pligt at [...] paa een af to Maader: enten at [...]
[...]
§ 2. OM PARAGRAPHENS NØDVENDIGHED.
En Paragraph, der staar alene i en Bog, er en Modsigelse; en Bog, der staar alene uden Paragraph, er en anden. Det er imidlertid karakteristisk for vor Tid, at vi have begyndt at producere begge Slags Modsigelser i en saadan Mængde, [...]
[Leaf 1, verso:]
[...] saa at den Læser, der søger efter en sammenhængende Tankeudvikling, fra hvilken han skulde kunne hente Næring til sit eget Tænkende, finder kun Brokker, og kun saadanne Brokker, som han selv allerede har set i Speilet om Morgenen. Paragraphens Nødvendighed, som vi her skulle udvikle [...]
§ 3. OM FRYGTEN VED PARAGRAPHEN.
Naar en Mand sidder ned og skal skrive sin Paragraph, da hænder det undertiden, og det netop for de Mænd, hvis Sind er fyldest med Stof, at en Frygt griber ham. Frygten har ingen bestemt Genstand; den er ikke Frygt for at skrive det Forkerte, ikke Frygt for at skrive det Anstødelige, ikke Frygt for at skrive det Uvigtige. Den er Frygt for [...] og dog [...]
[Leaf 2, recto, upper third only:]
[...] denne Frygt skulle vi i de paafølgende Paragrapher behandle paa fire forskjellige Maader: psychologisk, æsthetisk, ethisk, og religiøst. Den psychologiske Behandling, hvormed vi her begynde, har ikke Frygtens Aarsag til Genstand — den Aarsag er ikke psychologisk — men dens Tilstand og dens Skikkelse [...]
[Leaf 3, fragments only:]
[...] hvori en saadan Mand finder sig, er Friheden. Frihedens [...] Svimmelhed [...]
[...] og denne Svimmelhed er den dybeste psychologiske Tilstand, [...]
[...] kun den, der har gennemløbet [...] er i Stand til [...]
The reader will perceive at once the relation between the foregoing fragments and the Smaastykker of 1847 (Vol. VII of the present edition), particularly §§ 9 (Svimmelhed) and 16 (Øieblik). The matter is treated at length in the apparatus to Vol. VII; the present editor records only that, on the evidence of the recovered fragments, the manuscript of March 1843 was a substantial introduction to a treatise on the concept of Frygt (Fear) or Angest (Anxiety), of which the Smaastykker preface of four years later represents Notabene's surviving condensed treatment. The matter's bearing on the longstanding scholarly debate concerning the relation between Notabene's Smaastykker and Vigilius Haufniensis's Begrebet Angest of June 1844 is discussed in the introduction to Vol. VII and in Vibskov's essay below.
V. BIBLIOGRAPHIA NOTABENIANA PROHIBITORUM
A Bibliography of Works Forbidden
being a Reconstruction of the Manuscripts attempted by N. Notabene during the years 1832–1843, prior to the Forord compromise
The following bibliography reconstructs, so far as the surviving sources permit, the manuscripts which Notabene attempted, completed in draft, or abandoned in the course of the first thirteen years of his marriage. None of these manuscripts was published; most were destroyed (either at his wife's hand, by his own hand in compliance with her injunction, or by inadvertent loss); two survive in fragmentary form. The bibliography is reconstructed from: (a) Notabene's own diary entries in NKS 4° 3204, fascicles 1–2; (b) his correspondence with his aunt Vibeke Bentzon, in the same archive; (c) references in his post-1844 published works, particularly the Forord itself; (d) the singed leaves recovered by the maid in March 1843 (see § IV above); and (e) such inferences as the surviving materials permit. The bibliography is arranged chronologically by Notabene's working start-date; the entries follow the conventions of the Forskningscentret's Bibliographia Kierkegaardiana (1996), adapted for Notabene's authorship.
1832. Om Forholdet mellem Tro og Lære. Et Forsøg. (On the Relation between Faith and Doctrine. An Attempt.) Notabene's first sustained attempt at independent authorship, undertaken in the summer following his marriage. A treatise of approximately 240 manuscript pages in the projected complete form; some 80 pages drafted before the project was discovered by his wife and the manuscript taken into safekeeping. Notabene's diary records the loss of the manuscript on 14 November 1832 (NKS 4° 3204, fasc. 1, fol. 27r) but does not specify what subsequently became of the eighty drafted pages; they have not been recovered. The work would have addressed the relation of the speculative philosophy of the day to the established Lutheran doctrine; the diary contains some twenty pages of preparatory notes, on the basis of which Vibskov (1958, pp. 78–84) reconstructs the work's probable argument.
1833. Bidrag til en Mathematik for de Følende. (Contributions to a Mathematics for those of Feeling Temperament.) An unusual project — a pastiche of contemporary mathematical primers, intended as a satire on the systematization of feeling in the speculative aesthetic of the period. Notabene's diary records the project's commencement in February 1833 (fasc. 1, fol. 31r) and its abandonment in May of the same year, on the grounds that "the figures I have wished to present cannot be communicated by figures, and the writing of them in words has occupied more time than the matter justifies" (fol. 39v). No manuscript survives.
1834, spring. Det philosophiske Brevsystem. (The Philosophical Letter-System.) Twenty-four philosophical letters in the form of correspondence between two friends. Six letters drafted; the project was abandoned in September 1834 after the wife's discovery of letters 3 and 5 in Notabene's writing-desk. The wife is recorded, in the diary, to have read both letters carefully and to have returned them with the observation that "what you have written to your friend you might have written to me, and you have not done so; for what reason I cannot determine, but I shall determine it in time" (fol. 51r). Notabene's response was to abandon the project; the drafted letters were destroyed by him on 1 October 1834.
1835–1836. Den schellingianske Naturphilosophie i sin danske Form. (The Schellingian Natural Philosophy in its Danish Form.) A substantial scholarly treatise, of which the first three chapters were drafted between October 1835 and August 1836. The manuscript, of approximately 140 pages, was confiscated by the wife in September 1836 and converted by her to hair-papers (the small twisted papers used to set curls in the period), in which form it served the household for some six months. Notabene's diary records the loss with a single sentence: "Hun krøller med Schelling." ("She curls with Schelling.") (fasc. 2, fol. 4v.) No fragments are known to survive.
1837. Sjelens Anatomie. Et Bidrag. (The Anatomy of the Soul. A Contribution.) A psychological-philosophical treatise of approximately 60 pages drafted between January and April 1837, on the relation between the inner movements of feeling and the determinations of speculative philosophy. The manuscript was abandoned by Notabene of his own accord in May 1837, the diary entry reading: "Sjelens Anatomie kan ikke skrives med Pen og Blæk; det er en gammel Visdom som jeg har glemt." ("The anatomy of the soul cannot be written with pen and ink; it is an old wisdom which I have forgotten.") (fasc. 2, fol. 8r.) The manuscript was destroyed by Notabene.
1838. En Hverdags-Komedie. Skuespil i tre Acter. (An Everyday Comedy. A Play in Three Acts.) Notabene's single attempt at dramatic composition; an evident response to the success of Fru Gyllembourg's Hverdags-Historier in the literary market of the late 1830s. The play, of which Notabene drafted Acts I and II in their entirety and Act III in outline, depicted a household in which a husband attempted to write a play while his wife was at her embroidery in the next room. The manuscript was discovered by the wife on 6 August 1838; she read Act I in Notabene's presence, set it aside, and observed only that "the figure of the wife is recognisable, and the figure of the husband is not; if you wish to finish the play you may do so, but I shall not appear in any subsequent draft." Notabene abandoned the play on the spot. The manuscript was retained by Notabene's wife and is not known to survive.
1839–1841. Bemærkninger ved Læsningen af Hegel. (Remarks Occasioned by the Reading of Hegel.) An extended series of marginal commentaries on Hegel's Wissenschaft der Logik, the Phänomenologie des Geistes, and the Enzyklopädie, transcribed by Notabene from his own marginalia in three of his aunt Vibeke's copies of the German works (the copies preserved at Frederiksværk and now in the Notabene-arkivet, NKS 4° 3204, fasc. 6). Notabene's project was to expand the marginalia into a continuous critical commentary; the project occupied him from autumn 1839 to spring 1841 but was abandoned upon his discovery that, in his aunt's view, "the marginalia in the margins are the better book; if you write the continuous commentary, you will have to leave the marginalia behind, and they are what is worth keeping" (letter of Vibeke Bentzon to Notabene, 14 April 1841; fasc. 4, fol. 16r). Notabene accepted the judgement and abandoned the project. The marginalia survive in the three volumes; they form the basis of the matter elaborated in the Smaastykker of 1847, particularly § 5 (on Mediation).
1842, spring. Om Smerten. Et Forsøg. (On Suffering. An Attempt.) A treatise on the concept of suffering as the principle of inwardness and of knowledge; some 90 pages drafted in the spring of 1842. The manuscript was, in this case, neither confiscated by the wife nor destroyed by Notabene; it was lost. Notabene's diary entry of 18 June 1842 records the loss with unusual emphasis: "Om Smerten er forsvundet. Den var paa Skriverbordet om Morgenen; om Aftenen er den ikke at finde. Jeg har søgt overalt. Hun siger, at hun ikke har taget den; jeg tror hende; og dog er den væk." ("On Suffering has disappeared. It was on the writing-desk in the morning; in the evening it cannot be found. I have searched everywhere. She says that she has not taken it; I believe her; and yet it is gone.") (fasc. 2, fol. 22r.) The substance of the lost treatise survives only in its echo in the Smaastykker of 1847, particularly § 10 (on Suffering as the Principle of Knowledge).
1843, March. Indlednings-Paragrapher til en philosophisk Antropologi. (Introductory Paragraphs to a Philosophical Anthropology.) The burnt manuscript of 16 March 1843, of which three singed leaves survive (see § IV above). The work, on the evidence of the surviving fragments, was an introduction to a substantial treatise on the concept of Frygt or Angest. It is the only one of the works listed in the present bibliography to survive in any substantive fragmentary form. The work occasioned the Forord compromise of May 1843; the compromise made possible the Forord of 1844 and the eight phantom volumes of 1844–47; the eight phantom volumes are accordingly, in a sense, the form which the burnt manuscript was permitted, by compromise, eventually to take.
VI. SELECTED CORRESPONDENCE: NOTABENE — REITZEL, 1844–1847
Otte breve i udvalg, fra Reitzel-arkivet (NKS 4° 2989-A) og fra Notabene-arkivet (NKS 4° 3204, fasc. 7, hvori Notabenes udkast til sin side af correspondancen ere bevarede). Brevene illustrere de fornemste commercielle og redactionelle Spørgsmaal af de otte fantom-Binds Production. De sædvanlige redactionelle Conventioner gjelde; Apparatet rapporterer Manuscript-Varianter i de Tilfælde, hvor Notabenes Udkast adskille sig fra Brevene som afsendte.
1. Notabene til Reitzel, 14. Mai 1844 (ang. Forord).
Højstærede Hr. Reitzel, — Jeg sender ved nærværende Haand Reenskriften af det Bind, hvorom jeg talte med Dem i Tirsdags. Otte Forord paa omkring tre tusind Ord stykket. Jeg foreslaaer, at vi udgive til St. Hans i 750 Exemplarer til een Rigsdaler fire Mark hæftet. Forfatteren er Nicolaus Notabene, ved hvilket Navn jeg har været Dem bekjendt i disse Aar, og hvorved jeg fremdeles skal være bekjendt i nærværende Sag; den endelige Identitet af Nicolaus Notabene med mit borgerlige Navn lade vi til en senere Anledning. Jeg betroer Bindet til Deres Forvaring. — Deres, NICOLAUS NOTABENE.
2. Reitzel til Notabene, 20. Mai 1844.
Højstærede Hr. Cand. theol. — Jeg har modtaget Manuscriptet og har gjennemlæst det med saadan Opmærksomhed, som Tiden har tilladt. Jeg skal udgive til St. Hans. Oplaget skulde jeg foreslaae at sætte til 1.000 Exemplarer frem for 750; Forord er et Bind, som efter min Dom den dannede Læser vil finde af usædvanlig Interesse, og de supplerende 250 Exemplarer ville ikke, selv om usolgte, besvære Firmaet. Prisen 1 Rdl. 4 Mk. hæftet bekræfter jeg. Jeg sender Korrektur i den anden Uge af Juni. — Deres, C. A. Reitzel.
3. Notabene til Reitzel, 8. December 1844 (ang. Urania).
Højstærede Hr. Reitzel, — Her er Urania, fuldstændig i Reenskrift, med Gravørens Tegning af Cometen til Omslaget særskilt vedlagt. Jeg vilde være taknemmelig, om det maatte fremkomme inden den anden Uge af December, i Tide til Gave-Sæsonen; De forstaaer, at Sagen i nærværende Tilfælde er særligt tidskritisk. Tilegnelsen til Professor Heiberg er bleven overveiet omhyggeligt; jeg forventer ikke, at Professoren skal indvende noget. — N. N.
4. Reitzel til Notabene, 24. Januar 1845.
Højstærede Hr. Notabene, — Jeg skriver for at meddele Dem den enestaaende Tidende, at hele det første Oplag af Urania — 1.500 Exemplarer — er bleven afsat indenfor de forløbne fem Uger. Jeg foreslaaer, at vi sætte et andet Oplag paa yderligere 1.500 Exemplarer i Værk strax. Bindet er ved enhver commerciel Indikation Sæsonens meest fortrinlige Gave-Aarbog; nærværende Skribents Lykønskninger fremføres med den meest hjertelige Oprigtighed. — C. A. R.
5. Notabene til Reitzel, 8. Januar 1846 (ang. den Anden Udgave af Det logiske System).
Højstærede Hr. Reitzel, — Angaaende den Anden Udgave af Det logiske System. Jeg foreslaaer, som drøftet, at vi optrykke fra den staaende Sats, med Tilføielsen af saadant nyt Stof, som jeg skal levere ved Ugens Slutning — nemlig en ny Fortale, fire aftrykte Anmeldelser (med Tidsskrifternes Tilladelser, hvilke jeg skal indhente særskilt), en Taknemmelig Notice fra Udgiveren, et Errata, en Anmærkning angaaende det udeblevne Bind II, en Fornyet Subscriptions-Indbydelse, en delvis Subscribent-Rulle og et Efterskrift. Bindets Pris foreslaaer jeg at sætte til 3 Mark — det vil sige, til een Ottendedeel af den første Udgaves Bogladepris. Motivet for Nedsættelsen er fremstillet i den nye Fortale. — N. N.
6. Reitzel til Notabene, 14. Januar 1846.
Højstærede Hr. Notabene, — Jeg har modtaget det nye Stof til den Anden Udgave og bekræfter Prisen 3 Mark. Jeg skal alene bemærke, at een Ottendedeel af den oprindelige Pris er, i den nærværende Bogtrade, en Nedsættelse uden Fortilfælde for et folkeligt Optryk af et Værk, hvis første Udgave solgtes uden commerciel Vanskelighed. Jeg trænger ikke paa Punktet. Jeg formoder, at De har overveiet det. — C. A. R.
7. Reitzel til Notabene, 11. October 1845 (ang. Udsættelsen af det Andet Hefte af Philosophiske Overveielser).
Højstærede Hr. Notabene, — Angaaende Tidsskriftet. Subscriptionerne paa det fulde første Bind staae nu paa 142, hvilket efter min Beregning er utilstrækkeligt til at berettige det andet Hefte i samme Skala som det første. Jeg foreslaaer med Beklagelse, at vi udsætte det andet Hefte, indtil Subscriptionerne ere forbedrede. En trykt Seddel til den Virkning skal jeg vedføie de usolgte Exemplarer af det første Hefte. Manuscriptet til det andet Hefte, som jeg nu har i Reenskrift, skal jeg beholde i Firmaets Forvaring afventende Deres videre Instruction. — C. A. R.
8. Notabene til Reitzel, 18. December 1846 (ang. Philosophiske Smaastykker).
Højstærede Hr. Reitzel, — Jeg sender Manuscriptet til Philosophiske Smaastykker i Reenskrift. Oplaget foreslaaer jeg at sætte til 500 Exemplarer; Indbindingen at være simple Papir-Permer i ublegnet Lærred; Prisen een Rigsdaler. Jeg fremfører to videre Anmodninger, hvilke jeg tiltro De ville imødekomme. For det første, at ingen Anmeldelses-Exemplarer udsendes; jeg ønsker ikke, at Bindet skal blive Anledningen til Notice i den periodiske Presse. For det andet, at Titelbladet bærer mit Navn uden videre Qvalification — af Nicolaus Notabene — uden Angivelse af Udgiver, Forlægger eller Sammenstiller, som i de tidligere syv Bind. Grundene til begge Anmodninger ere Omstændigheder, hvoraf De, mener jeg, have den nylige Kundskab. Jeg skal ikke indlade mig paa dem i nærværende Brev. — N. N.
Eight letters in selection, from the Reitzel-arkivet (NKS 4° 2989-A) and from the Notabene-arkivet (NKS 4° 3204, fasc. 7, in which Notabene's drafts of his side of the correspondence are preserved). The letters illustrate the principal commercial and editorial questions of the eight phantom volumes' production. Standard editorial conventions apply; the apparatus reports manuscript variants in those cases where Notabene's drafts differ from the letters as sent.
1. Notabene to Reitzel, 14 May 1844 (re the Forord).
Dear Sir, — I send by the present hand the fair copy of the volume of which I spoke to you on Tuesday. Eight prefaces, of approximately three thousand words each. I propose that we publish at midsummer in 750 copies, at one Rigsdaler four Mark stitched. The author is Nicolaus Notabene, by which name I have been known to you these years and by which I shall continue to be known in the present matter; the eventual identity of Nicolaus Notabene with my civil name we leave for a later occasion. I commit the volume to your care. — Yours, NICOLAUS NOTABENE.
2. Reitzel to Notabene, 20 May 1844.
Højstærede Hr. Cand. theol. — I have received the manuscript and have read it through with such attention as the time has permitted. I shall publish at midsummer. The print run I should propose to set at 1,000 copies rather than 750; the Forord is a volume which, in my judgement, the cultivated reader will find of unusual interest, and the supplementary 250 copies will not, even if unsold, encumber the firm. The price of 1 Rdl. 4 Mk. stitched I confirm. I shall send proof in the second week of June. — Yours, C. A. Reitzel.
3. Notabene to Reitzel, 8 December 1844 (re the Urania).
Dear Sir, — Here is the Urania, complete in fair copy, with the engraver's drawing of the comet for the cover separately enclosed. I should be grateful if it might appear by the second week of December, in time for the gift-season; you understand that the matter is, in the present case, particularly time-sensitive. The dedication to Professor Heiberg has been considered carefully; I do not anticipate that the Professor will object. — N. N.
4. Reitzel to Notabene, 24 January 1845.
Højstærede Hr. Notabene — I write to communicate to you the singular news that the entire first printing of Urania — 1,500 copies — has been disposed of within the past five weeks. I propose that we put in hand a second printing of an additional 1,500 copies forthwith. The volume is, by every commercial indication, the most successful gift-annual of the season; the present writer's congratulations are tendered with the most cordial sincerity. — C. A. R.
5. Notabene to Reitzel, 8 January 1846 (re the Anden Udgave of Det logiske System).
Dear Sir, — Concerning the Anden Udgave of Det logiske System. I propose, as discussed, that we reprint from the standing type, with the addition of such new matter as I shall supply by the end of the week — namely, a new Fortale, four aftrykte Anmeldelser (with the journals' permissions, which I shall procure separately), an Editor's Grateful Notice, an Errata, an Anmærkning concerning the absent Bind II, a Fornyet Subscription Notice, a partial Subscriber's Roll, and an Efterskrift. The volume's price I propose to set at 3 Mark — that is, at one-eighth of the bookshop price of the first edition. The motive for the reduction is set forth in the new Fortale. — N. N.
6. Reitzel to Notabene, 14 January 1846.
Højstærede Hr. Notabene — I have received the new matter for the Anden Udgave and confirm the price of 3 Mark. I shall observe only that one-eighth of the original price is, in the book-trade of the present, an unprecedented reduction for a popular reprint of a work whose first edition sold without commercial difficulty. I do not press the point. I assume you have considered it. — C. A. R.
7. Reitzel to Notabene, 11 October 1845 (re the postponement of the Andet Hefte of Philosophiske Overveielser).
Højstærede Hr. Notabene — Concerning the journal. The subscriptions for the full first volume now stand at 142, which is, by my reckoning, insufficient to warrant the second issue at the same scale as the first. I propose, with regret, that we postpone the Andet Hefte until the subscriptions have improved. A printed slip to that effect I shall enclose with the unsold copies of the Første Hefte. The manuscript of the Andet Hefte, which I have now in fair copy, I shall retain in the firm's custody pending your further instructions. — C. A. R.
8. Notabene to Reitzel, 18 December 1846 (re the Philosophiske Smaastykker).
Dear Sir, — I send the manuscript of Philosophiske Smaastykker in fair copy. The print run I propose to set at 500 copies; the binding to be plain paper covers in unbleached linen; the price one Rigsdaler. I make two further requests, which I trust you will accommodate. First, that no review copies be distributed; I do not wish the volume to be the occasion of notice in the periodical press. Second, that the title page bear my name without further qualification — af Nicolaus Notabene — without indication of editor, publisher, or compiler, as in the previous seven volumes. The reasons for both requests are circumstances of which you have, I believe, the recent knowledge. I shall not enter into them in the present letter. — N. N.
VII. NOTABENES SENE TAVSHED / NOTABENE'S LATE SILENCE
af Asger Vibskov
Optrykt fra Kierkegaardiana bind III (1962), s. 88–112, med venlig tilladelse fra forlaget og fra Vibskov-boet.
Vibskovs essay gengives her i sin form fra 1962, med sådanne tavse rettelser af typografi, som Forskningscentrets redaktionelle principper kræver. Vibskov skrev i 1962 med det materiale, der dengang var tilgængeligt; nærværende udgaves apparat rapporterer de detaljer, hvori hans beretning er blevet afløst af senere forskning, særligt af opdagelsen i 2019 af Reitzel-loftets manuskripter og af Notabene-arkivets anskaffelser fra 1998–2007. — M. F. H.
I.
Nicolaus Notabenes udgivne forfatterskab begynder, strengt taget, med Forord fra juni 1844; det slutter med Philosophiske Smaastykker fra februar 1847. Den mellemliggende periode på to år og otte måneder er det, vi læser, når vi læser Notabene-korpus. De elleve år mellem februar 1847 og forfatterens død i november 1858 er, hvad angår hans forfatterskab, tavse.
Tavsheden er, mener jeg, det vanskeligste faktum om Notabene. Den er vanskeligere end hustruens forbud (den dokumenterede anledning til Forord og de otte fantom-bind); vanskeligere end hustruens bortgang (den dokumenterede anledning til Smaastykker); vanskeligere end det spekulative indhold i noget af bindene betragtet for sig. Den er vanskelig, fordi den i en litterær karriere er fraværet af litterær virksomhed; og en kritiker, der påtager sig at give en redegørelse for en mands skrivning, finder sig, i Notabenes sene tavshed, uden nogen skrivning at give redegørelse for.
Jeg skal ikke i nærværende essay forsøge at give en redegørelse for intet. Jeg skal i stedet nedfælde, hvad vi ved om den sene tavshed, hvad vi ikke ved, og hvad vi rimeligvis kan slutte; og jeg skal afslutte med en enkelt formodning, som læseren må modtage eller afvise, som det behager ham.
II.
Hvad vi ved, ad ydre belæg, er følgende.
I foråret 1847, nogle uger efter udgivelsen af Smaastykker, opgav Notabene sit lejemål på Christianshavn og flyttede til Frederiksværk-godset, som han havde arvet fra sin tante i 1845, og hvor han gennem ægteskabets år havde udarbejdet manuskripterne til sine otte fantom-bind. Han boede på Frederiksværk i de resterende elleve år af sit liv, med besøg i København, som de bevarede dokumenter angiver at have været sjældne og af kort varighed. Han udgav intet. Han udarbejdede intet af litterær karakter; Notabene-arkivet rummer, hvad angår disse år, alene hans gods-regnskaber, hans korrespondance med sin forretningsfører, hans kvartalsvise meddelelser om udbetaling af hans forhenværende hustrus livrente og et dagbogsfragment af tiltagende kortfattethed.
Han så, efter alt at dømme, meget få mennesker. Frederiksværk sogns kirkebog viser, at han gik regelmæssigt i kirke, men uregelmæssigt — det vil sige, at han var en nærværende skikkelse ved sognets gudstjenester, men ikke en deltager i sognelivet. Godsets fæstebønder rapporterer ham, i hvad der er bevaret, som en retfærdig, men tilbageholden husbond. Han førte ingen bevaret korrespondance med periodens litterære skikkelser ud over en håndfuld noter (én til Heiberg, udateret, som afslog en invitation til at holde foredrag; én til Mynster, der kondolerede ved bispens død i 1854 — sendt til Mynsters søn, eftersom bispen til den tid var død, og høfligt anerkendt af sønnen; tre til Reitzel, om sager vedrørende hans akkumulerede subskriptioner på firmaets udgivelser).
Han læste. Biblioteket på Frederiksværk, som vi allerede har nævnt, indeholdt ved hans død omkring 2.800 bind — det vil sige, de 2.400, han havde arvet fra sin tante, og omtrent 400 tilføjelser af egen anskaffelse fra årene 1845–1858. Tilføjelserne, som de er optegnet ved hans død (optegnelsen er bevaret i Hørsholm Birks-Skifteprotokol for 1858–59), er fordelt jævnt på teologi, filosofi, de klassiske litteraturer og den samtidige danske skønlitteratur. Notabene var ikke, i sin sene tavshed, en mand afskåret fra sin tids litterære kultur; han var en mand, der fortsatte med at læse den, samtidig med at han holdt op med at bidrage til den.
III.
Hvad vi ikke ved, ad ydre belæg, er følgende.
Vi ved ikke, hvad han tænkte om sine egne udgivne værker efter februar 1847. De sene års dagbog henviser ikke til de otte fantom-bind ud over én enkelt indførsel af 12. marts 1851 (NKS 4° 3204, fasc. 3, fol. 9r), som i sin helhed lyder: »Læst igen i Smaastykker. Det er ikke saa daarlig, som jeg havde frygtet, men det er heller ikke saa godt, som jeg havde haabet.« Indførslen er den eneste henvisning, i elleve år, til nogen af hans udgivne værker.
Vi ved ikke, hvad han tænkte om sit ægteskab i tilbageblik. Dagbogen indeholder ingen henvisning til hans hustru efter indførslen af 14. august 1846 nævnt i kronologien ovenfor. Livrentebetalingerne er optegnet som forretningsmæssige transaktioner uden kommentar.
Vi ved ikke, om han forsøgte nogen yderligere skrivning i de sene år og opgav den. Notabene-arkivet indeholder ingen manuskriptfragmenter af post-1847 litterær karakter; hvis nogen blev udarbejdet, blev de ødelagt uden notat. Den nyere forsknings antagelse, som jeg tilslutter mig, er, at han ikke forsøgte dem.
Vi ved ikke hvorfor.
IV.
Spørgsmålet hvorfor udgør den sene tavsheds principielle fortolkningsmæssige problem. Flere forklaringer er blevet fremført, i litteraturen, siden Notabene-korpus' udgivelse ved Bertelsen og Hertel i 1930'erne. Jeg skal opsummere de principielle og angive vanskeligheden ved hver.
Den første forklaring er melankoli. Notabene var, på denne beretning, en mand, hvis temperament var blevet beskadiget af ægteskabets lange år og af opløsningen af det; den sene tavshed er depressionens, den indre udmattelses, en viljes, der har mistet sit motiv, tavshed. Forklaringen har en vis overfladisk troværdighed. Den stemmer dog ikke overens med den sene dagbogs antydninger, som hverken er melankolsk i tone eller udmattet i indhold; den er behersket, ja minimal, men den er ikke trist. Den redegør heller ikke for tavshedens litterære specificitet: at Notabene fortsatte med at læse, at styre godset, at opretholde en lille korrespondance og at leve, i alle ydre henseender, et almindeligt liv — samtidig med, at han blot ikke skrev. Melankoli er en almen affekt; tavsheden er præcist målrettet. Den første forklaring er derfor utilstrækkelig.
Den anden forklaring er hustruens fortsatte nærvær. Notabenes hustru, som havde forladt ægteskabet i 1846, levede til 1889; skilsmissen fra 1846–47 pålagde intet forbud mod Notabenes skrivning, men den fjernede ikke, på denne beretning, det indre nærvær af det forbud, hustruen havde pålagt. Notabene fortsatte, i sin ensomhed på Frederiksværk, med at skrive, som om forbuddet stadig gjaldt; forbuddets form — udelukkende forord, indirekte, forskudt gennem redaktionelle fiktioner — var den eneste form, han havde udviklet, og i fraværet af en modtager, som formen var blevet konstrueret til at omgå, mistede formen sit motiv. Forklaringen har større vægt end den første. Den redegør for den litterære specificitet. Den redegør imidlertid ikke for kendsgerningen om Smaastykker — det ene bind, han skrev efter hustruens bortgang, i sit eget navn, uden de redaktionelle fiktioners forskydning. Smaastykker viser, at han var i stand til, efter forbuddet var ophævet, at skrive i en anden form; den sene tavshed viser, at han ikke fortsatte i den form. Den anden forklaring redegør for vanskelighedens første halvdel (hvorfor Forord-formen ophørte), men ikke for den anden (hvorfor ingen anden form trådte i dens sted).
Den tredje forklaring er at korpus var fuldendt. Notabene havde, på denne beretning, sagt i otte bind, hvad han havde at sige; Smaastykker opfører sig som det afsluttende bind udtrykkeligt som rækkens konklusion; den sene tavshed er en mands tavshed, der har fuldført det arbejde, han var kommet for at gøre, og som i sagens natur ikke har noget videre arbejde. Forklaringen har den fortjeneste at tage Smaastykker på dets eget ord; § 15 i det bind erklærer, på Notabenes egen autoritet, at det er rækkens konklusion. Forklaringen har imidlertid på sin side en vanskelighed: den forudsætter, at de otte fantom-bind udgør et fuldendt forfatterskab, i den forstand af et korpus, som udtømmer sin forfatters emne. Korpus udtømmer ved nærmere betragtning ikke sit emne. De otte binds temaer — bekendtgørelsen, løftet, mediationen, lidelsen som princip for kundskaben, springet, frihedens svimmelhed, det ellevte binds indesluttethed, øjeblikket — er temaer, en forfatter kunne forfølge, i et hvilket som helst antal efterfølgende bind, uden at udtømme dem. Forklaringen ved fuldendelse er derfor en forklaring ved valg snarere end ved nødvendighed: Notabene valgte at behandle sine otte som fuldendt; han behøvede ikke at gøre det. Selve valget står tilbage at redegøre for.
V.
Jeg afslutter med en formodning, som er det sted, hvor nærværende essay forlader det fastslåede og træder ind i det formodede. Læseren bedes veje den i overensstemmelse hermed.
Formodningen er denne. De otte fantom-bind var, i deres kompositionsperiode, et forfatterskab under forbud. Forbuddet leverede forfatterskabets form — udelukkende forord, indirekte, redaktør- og forlægger-fiktionaliseret; det leverede også forfatterskabets retfærdiggørelse, idet en forfatter, der er forbudt at udgive bøger, har en grund til at udgive forord. Forbuddet gav Notabene både hans form og hans motiv.
Hustruens bortgang i august 1846 fjernede forbuddet. Den fjernede formens nødvendighed — Notabene var ikke længere forpligtet til at forskyde sine bøger ind i forord, eftersom ingen forhindrede ham i at skrive bøger. Den fjernede også motivet — Notabene kunne ikke længere skrive som en mand, der skriver under forbud, eftersom forbuddet ikke længere var der. Smaastykker, som Notabene udgav i februar 1847, er det ene bind, han komponerede i intervallet mellem forbuddets fjernelse og tavshedens indtræden; det er i denne henseende det mest udsatte af de otte bind, det eneste komponeret uden hverken forbuddets eller tavshedens beskyttelse. Det er også, efter min læsning, det bind, som tydeligst siger, at Notabene vidste, tavsheden ville komme.
Den afsluttende sektion af Smaastykker (§ 17 i nærværende udgave; § 12 i tidligere udgaver før den omnummerering, som de manuskriptfund fra 2019 har givet anledning til) beskriver forfatterens tilstand i øjeblikket, hvor en bog er færdig. Tilstanden er, på Notabenes beretning, én med intet videre at gøre: værelset er uforandret, stolen på den anden side af bordet er tom, lampen brænder på det sædvanlige niveau, tavsheden er, hvad man, da man var yngre, ikke havde ventet, at et værelses tavshed kunne være. Beskrivelsen, betragtet som en litterær beskrivelse af forfatterens tilstand ved enhver bogs afslutning, har sin plads i bindets argument. Betragtet som en biografisk beskrivelse forudsiger den den sene tavshed med usædvanlig præcision. Stolen var tom, fordi hustruen var gået; tavsheden var usædvanlig, fordi forbuddet var gået med hende; forfatteren sad stille, fordi der med forbuddets fjernelse ikke var noget for ham at skrive imod. Hans forfatterskab havde hele tiden været en form for skrivning mod et tvang; med tvangen forsvundet havde skrivningen ingen form at antage.
Dette er, mener jeg, den sene tavsheds substans. Notabene holdt ikke op med at skrive, fordi han var trist, eller fordi hustruen på en eller anden indre måde fortsatte med at forbyde ham det, eller fordi han havde udtømt sit emne. Han holdt op med at skrive, fordi de vilkår, hvorunder han havde skrevet, var blevet fjernet, og han havde i sine treoghalvtreds leveår ikke udviklet noget andet vilkår, hvorunder han var beredt til at skrive. De otte bind var en mands arbejde, der skrev under et særligt tvang. De elleve års tavshed var den samme mands liv uden det tvang. Forskellen mellem de to perioder er ikke forskellen mellem forfatterskab og dovenskab, ej heller mellem produktivitet og depression; det er forskellen mellem at-skrive-imod-noget og slet-ikke-at-skrive.
VI.
En litterær karriere organiseret omkring et forbud er sjælden. Den er imidlertid ikke enestående. Den læser, der er bekendt med visse andre danske forfatteres karrierer fra det nittende århundrede — jeg skal ikke navngive dem — vil genkende et beslægtet mønster. Sådanne karrierer, når de slutter, slutter, som Notabenes sluttede. Afslutningen er, i sådanne tilfælde, hverken en tragedie eller en fiasko; den er den naturlige konklusion af et forfatterskab, som afhang af sine særlige vilkår, og som ikke overlevede ændringen af dem.
Det står alene tilbage at sige, at de otte fantom-bind er, i forhold til dette mønster, et usædvanligt bidrag. De fleste forfatterskaber, som afhænger af tvang, melder sig ikke at gøre det; de fremtræder som almindelige forfatterskaber, og tvangen opdages, om overhovedet, af biografer mange årtier senere. Notabenes forfatterskab er det usædvanlige tilfælde: det bekendtgør tvangen på dets åbningssider (Forord fra 1844 kan ikke læses, uden at hustruens forbud fremtræder på dens første side); det forfølger tvangen som sit principielle litterære greb gennem otte bind; det opløser tvangen, på Smaastykkers afsluttende sider, i sit eget argument; og det forstummer. I denne henseende er Notabenes sene tavshed ikke et privat faktum af hans biografi, men et offentligt faktum af hans forfatterskab — den sidste erklæring, af en forfatter, der havde organiseret sin skrivning omkring sin tilstands synlighed, om at tilstanden var ophørt.
Vi læser den sene tavshed, følgelig, som vi læser de otte bind selv: som en del af værket. Tavsheden er, i denne endelige forstand, Notabenes niende bind — det, hvori hustruens forbud, Forord-kompromiset, de otte fantom-bøger og forfatterens liv alle tillades, ved vilkårenes ophævelse, at sætte sig til hvile i den slags stilhed, som et forfatterskab organiseret omkring tvang kun kan opnå, når tvangen er gået.
— A. V., 1962
by Asger Vibskov
Reprinted from Kierkegaardiana vol. III (1962), pp. 88–112, by kind permission of the publisher and of the Vibskov estate.
Vibskov's essay is here reproduced in its 1962 form, with such silent corrections of typography as the Forskningscentret's editorial principles require. Vibskov wrote in 1962 with the materials then available; the apparatus to the present volume reports those particulars in which his account has been superseded by subsequent scholarship, particularly by the 2019 discovery of the Reitzel-attic manuscripts and by the Notabene-arkivet acquisitions of 1998–2007. — M. F. H.
I.
The published work of Nicolaus Notabene begins, properly speaking, with the Forord of June 1844; it ends with the Philosophiske Smaastykker of February 1847. The intervening period of two years and eight months is what we read when we read the Notabene corpus. The eleven years between February 1847 and the author's death in November 1858 are, in respect of his authorship, silent.
The silence is, I think, the most difficult fact about Notabene. It is more difficult than the wife's prohibition (the documented occasion of the Forord and the eight phantom volumes); more difficult than the wife's departure (the documented occasion of Smaastykker); more difficult than the speculative content of any of the volumes considered separately. It is difficult because it is, in a literary career, the absence of literary activity; and a critic who undertakes to give an account of a man's writing finds himself, in the late silence of Notabene, with no writing to give an account of.
I shall not, in the present essay, attempt to give an account of nothing. I shall instead set down what we know about the late silence, what we do not know, and what we may reasonably infer; and I shall close with a single conjecture, which the reader may accept or set aside as he pleases.
II.
What we know, by way of external evidence, is the following.
In the spring of 1847, some weeks after the publication of Smaastykker, Notabene retired from his Christianshavn lease and removed to the Frederiksværk estate, which he had inherited from his aunt in 1845 and where he had, throughout the years of the marriage, drafted the manuscripts of his eight phantom volumes. He lived at Frederiksværk for the remaining eleven years of his life, with visits to Copenhagen which the surviving documents indicate to have been infrequent and of brief duration. He published nothing. He drafted nothing of literary character; the Notabene-arkivet has, in respect of these years, only his estate-accounts, his correspondence with his man of business, his quarterly notices of payment of his former wife's annuity, and a diary fragment of increasing brevity.
He saw, by all indications, very few people. The Frederiksværk parish records show that he attended church regularly but irregularly — that is, that he was a present figure at the parish services but not a participant in parish life. The estate's tenants, in such records as survive, report him as a fair landlord but a reserved one. He kept no correspondence with literary figures of the period that has been preserved beyond a handful of notes (one to Heiberg, undated, declining an invitation to lecture; one to Mynster, condoling the bishop's death of 1854 — sent to Mynster's son, since the bishop had by then died, and acknowledged courteously by the son; three to Reitzel, on matters of his accumulated subscriptions to the firm's publications).
He read. The library at Frederiksværk, which we have already mentioned, contained at his death some 2,800 volumes — that is, the 2,400 he had inherited from his aunt and approximately 400 additions of his own from the years 1845–1858. The additions, as inventoried at his death (the inventory is preserved in the Hørsholm Birks-Skifteprotokol for 1858–59), are distributed evenly across theology, philosophy, the classical literatures, and the contemporary Danish belles-lettres. Notabene was not, in his late silence, a man cut off from the literary culture of his age; he was a man who continued to read it while ceasing to contribute to it.
III.
What we do not know, by way of external evidence, is the following.
We do not know what he thought of his own published works after February 1847. The diary of the late years does not refer to the eight phantom volumes save in a single entry of 12 March 1851 (NKS 4° 3204, fasc. 3, fol. 9r), which reads in its entirety: "Læst igen i Smaastykker. Det er ikke saa daarlig, som jeg havde frygtet, men det er heller ikke saa godt, som jeg havde haabet." ("Read in Smaastykker again. It is not so bad as I had feared, nor so good as I had hoped.") The entry is the only reference, in eleven years, to any of his published works.
We do not know what he thought of his marriage in retrospect. The diary contains no reference to his wife after the entry of 14 August 1846 noted in the chronology above. The annuity payments are recorded as commercial transactions without commentary.
We do not know whether he attempted any further writing in the late years and abandoned it. The Notabene-arkivet contains no manuscript fragments of post-1847 literary character; if any were drafted, they were destroyed without record. The presumption of recent scholarship, with which I concur, is that he did not attempt them.
We do not know why.
IV.
The question why constitutes the principal interpretive problem of the late silence. Several explanations have been advanced, in the literature, since the publication of the Notabene corpus by Bertelsen and Hertel in the 1930s. I shall summarize the principal ones and indicate the difficulty with each.
The first explanation is melancholy. Notabene was, on this account, a man whose temperament had been damaged by the long years of the marriage and by the dissolution of it; the late silence is the silence of depression, of inward exhaustion, of a will that has lost its motive. The explanation has some surface plausibility. It does not, however, accord with the indications of the late diary, which is neither melancholy in tone nor exhausted in matter; it is restrained, even minimal, but it is not gloomy. It also does not account for the literary specificity of the silence: that Notabene continued to read, to manage the estate, to maintain a small correspondence, and to live, in all outward respects, an ordinary life — while merely not writing. Melancholy is a general affect; the silence is precisely targeted. The first explanation is therefore insufficient.
The second explanation is the wife's continuing presence. Notabene's wife, having left the marriage in 1846, remained alive until 1889; the divorce of 1846–47 did not impose any restriction on Notabene's writing, but it did not, on this account, remove the inward presence of the prohibition which the wife had imposed. Notabene continued, in his solitude at Frederiksværk, to write as if the prohibition still obtained; the prohibition's form — preface-only, indirect, displaced through editorial fictions — was the only form he had developed, and in the absence of an addressee whom the form had been designed to evade, the form lost its motive. The explanation has more weight than the first. It accounts for the literary specificity. It does not, however, account for the fact of Smaastykker — the one volume he wrote after the wife's departure, in his own name, without the displacement of editorial fiction. Smaastykker shows that he was capable, after the prohibition was lifted, of writing in another form; the late silence shows that he did not continue in that form. The second explanation accounts for the first half of the difficulty (why the Forord-form ceased) but not the second (why no other form took its place).
The third explanation is that the corpus was complete. Notabene, on this account, had said in eight volumes what he had to say; Smaastykker, as the closing volume, expressly conducts itself as the conclusion of the series; the late silence is the silence of a man who has finished the work he came to do and has, in the natural course, no further work. The explanation has the merit of taking Smaastykker at its word; § 15 of that volume does state, on Notabene's own authority, that it is the conclusion of the series. The explanation has, however, a difficulty in turn: it presupposes that the eight phantom volumes constitute a complete authorship, in the sense of a corpus that exhausts its author's subject. The corpus does not, on inspection, exhaust its subject. The themes of the eight volumes — the announcement, the promise, mediation, suffering as the principle of knowledge, the leap, the dizziness of freedom, the closed-up-ness of the eleventh book, the moment — are themes which a writer could pursue, in any number of subsequent volumes, without exhausting them. The explanation by completion is therefore an explanation of choice rather than of necessity: Notabene chose to treat his eight as complete; he need not have. The choice itself remains to be accounted for.
V.
I close with a conjecture, which is the place at which the present essay departs from what is established and enters what is conjectured. The reader is asked to weigh it accordingly.
The conjecture is this. The eight phantom volumes were, in their period of composition, an authorship under prohibition. The prohibition supplied the form of the authorship — preface-only, indirect, editor- and publisher-fictionalized; it also supplied the authorship's justification, in that an author who is forbidden to publish books has a reason to publish prefaces. The prohibition gave Notabene both his form and his motive.
The wife's departure in August 1846 removed the prohibition. It removed the form's necessity — Notabene was no longer obliged to displace his books into prefaces, since no one was preventing him from writing books. It also removed the motive — Notabene could no longer write as a man writing under prohibition, since the prohibition was no longer there. Smaastykker, which Notabene published in February 1847, is the one volume he composed in the interval between the prohibition's removal and the silence's onset; it is, in this respect, the most exposed of the eight volumes, the only one composed without either the prohibition or the silence's protection. It is also, by my reading, the volume that says most clearly that Notabene knew the silence was coming.
The closing section of Smaastykker (§ 17 in the present edition; § 12 in earlier editions before the renumbering occasioned by the 2019 manuscript discoveries) describes the writer's state at the moment of finishing a book. The state, on Notabene's account, is one of having nothing further to do: the room is unchanged, the chair on the other side of the table is empty, the lamp burns at the customary level, the silence is what one had not, when one was younger, expected the silence of a room could be. The description, taken as a literary description of the writer's state at the end of any book, has its place in the volume's argument. Taken as a biographical description, it foretells the late silence with unusual precision. The chair was empty because the wife had left; the silence was unusual because the prohibition had gone with her; the writer was sitting still because, with the prohibition removed, there was nothing for him to write against. His authorship had been, all along, a form of writing against a constraint; with the constraint gone, the writing had no shape to take.
This is, I think, the substance of the late silence. Notabene did not stop writing because he was sad, or because the wife continued in some inward way to forbid him, or because he had exhausted his subject. He stopped writing because the conditions under which he had written had been removed, and he had not developed, in his fifty-three years of life, any other condition under which he was prepared to write. The eight volumes were the work of a man writing under a particular constraint. The eleven years of silence were the life of the same man without that constraint. The difference between the two periods is not the difference between authorship and sloth, nor between productivity and depression; it is the difference between writing-against-something and not-writing-at-all.
VI.
A literary career organized around a prohibition is rare. It is not, however, unique. The reader who is acquainted with the careers of certain other Danish authors of the nineteenth century — I shall not name them — will recognize a kindred pattern. Such careers, when they end, end as Notabene's ended. The ending is, in such cases, neither a tragedy nor a failure; it is the natural conclusion of an authorship that depended on its particular conditions and that did not survive the alteration of them.
It remains only to be said that the eight phantom volumes are, in respect of this pattern, an unusual contribution. Most authorships that depend on constraint do not announce themselves as doing so; they appear to be ordinary authorships, and the constraint is discovered, if at all, by biographers many decades later. Notabene's authorship is the unusual case: it announces the constraint in its opening pages (the Forord of 1844 cannot be read without the wife's prohibition appearing on its first page); it pursues the constraint as its principal literary device through eight volumes; it dissolves the constraint, in the closing pages of Smaastykker, in its own argument; and it falls silent. In this respect, Notabene's late silence is not a private fact of his biography but a public fact of his authorship — the last statement, by an author who had organized his writing around the visibility of his condition, that the condition had ceased.
We read the late silence, accordingly, as we read the eight volumes themselves: as part of the work. The silence is, in this final sense, Notabene's ninth volume — the one in which the wife's prohibition, the Forord's compromise, the eight phantom books, and the writer's life are all permitted, by the lifting of the conditions, to settle into the kind of stillness that an authorship organized around constraint can only achieve when the constraint has gone.
— A. V., 1962
Editor's note: Vibskov's reference, in section VI, to "certain other Danish authors of the nineteenth century" whom he declines to name has occasioned much subsequent speculation. The names most commonly proposed are J. P. Jacobsen (whose late silence after Niels Lyhne of 1880 is well-documented), Holger Drachmann (whose retreats from publication in 1894 and 1903 are similarly attested), and — more boldly — S. Kierkegaard himself, on the question whether the closing of the second authorship in 1855 represents a comparable phenomenon. Vibskov did not, in subsequent writings, indicate which names he had in mind; the present editor is not in a position to do so for him. — M. F. H.
Faaes hos Universitetsboghandler C. A. Reitzel · Wroot Press. Pris: indeholdt i den samlede Udgave af Forord & dets fantom-bind. Anden Udgave forventes ikke.